The Harlem Renaissance
Georgia Douglas Johnson (1880-1966)
1. The Heart of a Woman
The heart of a woman goes forth with the dawn,
As a lone bird, soft winging, so restlessly on,
Afar o’er life’s turrets and vales does it roam
In the wake of those echoes the heart calls home.
The heart of a woman falls back with the night, 5
And enters some alien cage in its plight,
And tries to forget it has dreamed of the stars
While it breaks, breaks, breaks on the sheltering bars.
Claude McKay (1890-1948)
2. The Harlem Dancer
Applauding youths laughed with young prostitutes
And watched her perfect, half-clothed body sway;
Her voice was like the sound of blended flutes
Blown by black players upon a picnic day.
She sang and danced on gracefully and calm, 5
The light gauze hanging loose about her form;
To me she seemed a proudly-swaying palm
Grown lovelier for passing through a storm.
Upon her swarthy neck black, shiny curls
Profusely fell; and, tossing coins in praise, 10
The wine-flushed, bold-eyed boys, and even the girls,
Devoured her with their eager, passionate gaze;
But, looking at her falsely-smiling face
I knew her self was not in that strange place.
3. If We Must Die
If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die, O let us nobly die, 5
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen we must meet the common foe!
Though far outnumbered let us show us brave, 10
And for their thousand blows deal one deathblow!
What though before us lies the open grave?
Like men we’ll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
4. The Barrier
I must not gaze at them although
Your eyes are dawning day;
I must not watch you as you go
Your sun-illumined way;
I hear but I must never heed 5
The fascinating note,
Which, fluting like a river reed,
Comes from your trembling throat;
I must not see upon your face
Love’s softly glowing spark; 10
For there’s the barrier of race,
You’re fair and I am dark.
Langston Hughes (1902-1967)
5. The Negro Speaks of Rivers
I’ve known rivers:
I’ve known rivers ancient as the world and older than
the flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep. 5
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I’ve seen its muddy bosom turn all golden in the sunset.
I’ve known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers. 10
6. Dream Deferred
What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore–
And then run? 5
Does it stink like rotten meat?
Or crust and sugar over–
like a syrupy sweet?
Maybe it just sags
like a heavy load. 10
Or does it explode?
The Black Arts Movement
Gwendolyn Brooks (1917-2000)
7. We Real Cool
THE POOL PLAYERS.
SEVEN AT THE GOLDEN SHOVEL.
We real cool. We
Left school. We
Lurk late. We
Strike straight. We
Sing sin. We 5
Thin gin. We
Jazz June. We
Amiri Baraka (1934-2014)
A closed window looks down
on a dirty courtyard, and Black people
call across or scream across or walk across
defying physics in the stream of their will.
Our world is full of sound 5
Our world is more lovely than anyone’s
tho we suffer, and kill each other
and sometimes fail to walk the air.
We are beautiful people
With African imaginations 10
full of masks and dances and swelling chants
with African eyes, and noses, and arms
tho we sprawl in gray chains in a place
full of winters, when what we want is sun.
We have been captured, 15
and we labor to make our getaway, into
the ancient image; into a new
Correspondence with ourselves
and our Black family. We need magic
now we need the spells, to raise up 20
return, destroy,and create. What will be
the sacred word?